Showing posts with label speculative literature. Show all posts
Showing posts with label speculative literature. Show all posts

Wednesday, February 11, 2015

Child Brides


http://ngm.nationalgeographic.com/2011/06/child-brides/gorney-text/2

Yemeni Child Bride

Too Young to Wed

The secret world of child brides

By Cynthia Gorney
Photograph by Stephanie Sinclair
Because the wedding was illegal and a secret, except to the invited guests, and because marriage rites in Rajasthan are often conducted late at night, it was well into the afternoon before the three girl brides in this dry farm settlement in the north of India began to prepare themselves for their sacred vows. They squatted side by side on the dirt, a crowd of village women holding sari cloth around them as a makeshift curtain, and poured soapy water from a metal pan over their heads. Two of the brides, the sisters Radha and Gora, were 15 and 13, old enough to understand what was happening. The third, their niece Rajani, was 5. She wore a pink T-shirt with a butterfly design on the shoulder. A grown-up helped her pull it off to bathe.
The grooms were en route from their own village, many miles away. No one could afford an elephant or the lavishly saddled horses that would have been ceremonially correct for the grooms' entrance to the wedding, so they were coming by car and were expected to arrive high-spirited and drunk. The only local person to have met the grooms was the father of the two oldest girls, a slender gray-haired farmer with a straight back and a drooping mustache. This farmer, whom I will call Mr. M, was both proud and wary as he surveyed guests funneling up the rocky path toward the bright silks draped over poles for shade; he knew that if a nonbribable police officer found out what was under way, the wedding might be interrupted mid-ceremony, bringing criminal arrests and lingering shame to his family.
Rajani was Mr. M's granddaughter, the child of his oldest married daughter. She had round brown eyes, a broad little nose, and skin the color of milk chocolate. She lived with her grandparents. Her mother had moved to her husband's village, as rural married Indian women are expected to do, and this husband, Rajani's father, was rumored to be a drinker and a bad farmer. The villagers said it was the grandfather, Mr. M, who loved Rajani most; you could see this in the way he had arranged a groom for her from the respectable family into which her aunt Radha was also being married. This way she would not be lonely after her gauna, the Indian ceremony that marks the physical transfer of a bride from her childhood family to her husband's. When Indian girls are married as children, the gauna is supposed to take place after puberty, so Rajani would live for a few more years with her grandparents—and Mr. M had done well to protect this child in the meantime, the villagers said, by marking her publicly as married.
These were things we learned in a Rajasthan village during Akha Teej, a festival that takes place during the hottest months of spring, just before the monsoon rains, and that is considered an auspicious time for weddings. We stared miserably at the 5-year-old Rajani as it became clear that the small girl in the T-shirt, padding around barefoot and holding the pink plastic sunglasses someone had given her, was also to be one of the midnight ceremony's brides. The man who had led us to the village, a cousin to Mr. M, had advised us only that a wedding was planned for two teenage sisters. That in itself was risky to disclose, as in India girls may not legally marry before age 18. But the techniques used to encourage the overlooking of illegal weddings—neighborly conspiracy, appeals to family honor—are more easily managed when the betrothed girls have at least reached puberty. The littlest daughters tend to be added on discreetly, their names kept off the invitations, the unannounced second or third bride at their own weddings.
Rajani fell asleep before the ceremonials began. An uncle lifted her gently from her cot, hoisted her over one of his shoulders, and carried her in the moonlight toward the Hindu priest and the smoke of the sacred fire and the guests on plastic chairs and her future husband, a ten-year-old boy with a golden turban on his head.
The outsider's impulse toward child bride rescue scenarios can be overwhelming: Snatch up the girl, punch out the nearby adults, and run. Just make it stop. Above my desk, I have taped to the wall a photograph of Rajani on her wedding night. In the picture it's dusk, six hours before the marriage ceremony, and her face is turned toward the camera, her eyes wide and untroubled, with the beginnings of a smile. I remember my own rescue fantasies roiling that night—not solely for Rajani, whom I could have slung over my own shoulder and carried away alone, but also for the 13- and the 15-year-old sisters who were being transferred like requisitioned goods, one family to another, because a group of adult males had arranged their futures for them.
The people who work full-time trying to prevent child marriage, and to improve women's lives in societies of rigid tradition, are the first to smack down the impertinent notion that anything about this endeavor is simple. Forced early marriage thrives to this day in many regions of the world—arranged by parents for their own children, often in defiance of national laws, and understood by whole communities as an appropriate way for a young woman to grow up when the alternatives, especially if they carry a risk of her losing her virginity to someone besides her husband, are unacceptable.
Child marriage spans continents, language, religion, caste. In India the girls will typically be attached to boys four or five years older; in Yemen, Afghanistan, and other countries with high early marriage rates, the husbands may be young men or middle-aged widowers or abductors who rape first and claim their victims as wives afterward, as is the practice in certain regions of Ethiopia. Some of these marriages are business transactions, barely adorned with additional rationale: a debt cleared in exchange for an 8-year-old bride; a family feud resolved by the delivery of a virginal 12-year-old cousin. Those, when they happen to surface publicly, make for clear and outrage-inducing news fodder from great distances away. The 2008 drama of Nujood Ali, the 10-year-old Yemeni girl who found her way alone to an urban courthouse to request a divorce from the man in his 30s her father had forced her to marry, generated worldwide headlines and more recently a book, translated into 30 languages: I am Nujood, Age 10 and Divorced.
But inside a few of the communities in which parent-arranged early marriage is common practice—amid the women of Rajani's settlement, for example, listening to the mournful sound of their songs to the bathing brides—it feels infinitely more difficult to isolate the nature of the wrongs being perpetrated against these girls. Their educations will be truncated not only by marriage but also by rural school systems, which may offer a nearby school only through fifth grade; beyond that, there's the daily bus ride to town, amid crowded-in, predatory men. The middle school at the end of the bus ride may have no private indoor bathroom in which an adolescent girl can attend to her sanitary needs. And schooling costs money, which a practical family is surely guarding most carefully for sons, with their more readily measurable worth. In India, where by long-standing practice most new wives leave home to move in with their husbands' families, the Hindi term paraya dhan refers to daughters still living with their own parents. Its literal meaning is "someone else's wealth."
Remember this too: The very idea that young women have a right to select their own partners—that choosing whom to marry and where to live ought to be personal decisions, based on love and individual will—is still regarded in some parts of the world as misguided foolishness. Throughout much of India, for example, a majority of marriages are still arranged by parents. Strong marriage is regarded as the union of two families, not two individuals. This calls for careful negotiation by multiple elders, it is believed, not by young people following transient impulses of the heart.
So in communities of pressing poverty, where nonvirgins are considered ruined for marriage and generations of ancestors have proceeded in exactly this fashion—where grandmothers and great-aunts are urging the marriages forward, in fact, insisting, I did it this way and so shall she—it's possible to see how the most dedicated anti-child-marriage campaigner might hesitate, trying to fathom where to begin. "One of our workers had a father turn to him, in frustration," says Sreela Das Gupta, a New Delhi health specialist who previously worked for the International Center for Research on Women (ICRW), one of several global nonprofits working actively against early marriage. "This father said, 'If I am willing to get my daughter married late, will you take responsibility for her protection?' The worker came back to us and said, 'What am I supposed to tell him if she gets raped at 14?' These are questions we don't have answers to."
I heard the story of the rat and the elephant one day in early summer, some weeks into my time among girls who are expected to marry very young. I was in the backseat of a small car in remote western Yemen, traveling along with a man named Mohammed, who had offered to bring us to a particular village down the road.
"What happened in this village has given me strong feelings," he said. "There was a girl here. Ayesha is her name." The Prophet Muhammad's youngest wife was also named Ayesha, but this was not of interest to our Mohammed just now. He was extremely angry. "She is 10 years old," he said. "Very tiny. The man she married is 50 years old, with a big belly, like so." Spreading his arm around him, he indicated massive girth. "Like a rat getting married to an elephant."
Mohammed described the arrangement called shighar, in which two men provide each other with new brides by exchanging female relatives. "These men married each other's daughters," Mohammed said. "If the ages had been proper between the husbands and new wives, I don't think anyone would have reported it. But girls should not marry when they are 9 or 10. Maybe 15 or 16."
Fifty families live in the rock and concrete houses of the village we visited, between cactus stands and dry furrowed farm plots. The local leader, or sheikh, was short and red-bearded, with a mobile phone jammed under his belt beside his traditional Yemeni dagger. He showed us to a low-ceilinged house crowded with women, babies, and girls. They sat on the carpeted floors and beds, and more kept ducking through the doorway to squeeze in; the sheikh squatted in their midst, frowning and interrupting. He regarded me dubiously. "You have children?" he asked.
Two, I said, and the sheikh looked dismayed. "Only two!" He tipped his head toward a young woman nursing a baby in one arm while fending off two small children with the other. "This young lady is 26," he said. "She has had ten."
Her name was Suad. The sheikh was her father. She had been married at 14 to a cousin he selected. "I liked him," Suad said, her voice low, as the sheikh kept his eyes upon her. "I was happy."
The sheikh made various pronouncements concerning marriage. He said no father ever forces his daughter to marry against her will. He said the medical dangers of early childbirth were greatly exaggerated. He said initiation to marriage was not necessarily easy, from the bride's point of view, but that it was pointless to become agitated about this. "Of course every girl gets scared the first night," the sheikh said. "She gets used to it. Life goes on."
His phone tootled. He extracted it from his belt and stepped outside. I pulled the scarf off my hair, something I'd seen my interpreter do when men were gone and the intimate talk of women was under way. Speaking quickly, we asked, How are you all prepared for your wedding night? Are you taught what to expect?
The women glanced toward the doorway, where the sheikh was absorbed in his phone call. They leaned forward. "The girls do not know," one said. "The men know, and they force them."
Could they tell us about young Ayesha and her elephant husband of 50? The women all started talking at once: It was an awful thing; it should have been forbidden, but they were helpless to stop it. Little Ayesha screamed when she saw the man she was to marry, said a young woman named Fatima, who turned out to be Ayesha's older sister. Someone alerted the police, but Ayesha's father ordered her to put on high heels to look taller and a veil to hide her face. He warned that if he was sent to jail, he would kill Ayesha when he got out. The police left without troubling anyone, and at present—the women talked urgently and quietly now, because the sheikh appeared to be ending his conversation—Ayesha was living in a village two hours away, married.
"She has a mobile phone," Fatima said. "Every day, she calls me and cries."
"If there were any danger in early marriage, Allah would have forbidden it," a Yemeni member of parliament named Mohammed Al-Hamzi told me in the capital city of Sanaa one day. "Something that Allah himself did not forbid, we cannot forbid." Al-Hamzi, a religious conservative, is vigorously opposed to the legislative efforts in Yemen to prohibit marriage for girls below a certain age (17, in a recent version), and so far those efforts have met with failure. Islam does not permit marital relations before a girl is physically ready, he said, but the Holy Koran contains no specific age restrictions and so these matters are properly the province of family and religious guidance, not national law. Besides, there is the matter of the Prophet Muhammad's beloved Ayesha—nine years old, according to the conventional account, when the marriage was consummated.
Other Yemeni Muslims invoked for me the scholarly argument that Ayesha was actually older when she had marital relations—perhaps a teenager, perhaps 20 or more. In any case her precise age is irrelevant, they would add firmly; any modern-day man demanding marriage with a young girl dishonors the faith. "In Islam, the human body is very valuable," said Najeeb Saeed Ghanem, chairman of the Yemeni Parliament's Health and Population Committee. "Like jewelry." He listed some of the medical consequences of forcing girls into sex and childbirth before they are physically mature: Ripped vaginal walls. Fistulas, the internal ruptures that can lead to lifelong incontinence. Girls in active labor to whom nurses must explain the mechanics of human reproduction. "The nurses start by asking, 'Do you know what's happening?'" a Sanaa pediatrician told me. "'Do you understand that this is a baby that has been growing inside of you?'"
Yemeni society has no tradition of candor about sex, even among educated mothers and daughters. The reality of these marriages—the murmured understanding that some parents truly are willing to deliver their girls to grown men—was rarely talked about openly until three years ago, when ten-year-old Nujood Ali suddenly became the most famous anti-child-marriage rebel in the world. Among Yemenis the great surprise in the Nujood story was not that Nujood's father had forced her to marry a man three times her age; nor that the man forced himself upon her the first night, despite supposed promises to wait until she was older, so that in the morning Nujood's new mother- and sister-in-law examined the bloodied sheet approvingly before lifting her from bed to give her a bath. No. Nothing in those details was especially remarkable. The surprise was that Nujood fought back.
"Her case was, you know, the stone that disturbed the water," says one of the Yemeni journalists who began writing about Nujood after she showed up alone one day in a courthouse in Sanaa. She had escaped her husband and come home. She had defied her father when he shouted at her that the family's honor depended on her fulfilling her wifely obligations. Her own mother was too cowed to intervene. It was her father's second wife who finally gave Nujood a blessing and taxi money and told her where to go, and when an astonished judge asked her what she was doing in the big city courthouse by herself, Nujood said she wanted a divorce. A prominent female Yemeni attorney took up Nujood's case. News stories began appearing in English, first in Yemen and then internationally; both the headlines and Nujood herself were irresistible, and when she was finally granted her divorce, crowds in the Sanaa courthouse burst into applause. She was invited to the United States, to be honored before more cheering audiences.
Everyone Nujood met was bowled over by her unnerving combination of gravity and poise. When I met her in a Sanaa newspaper office, she was wearing a third-grader-size black abaya,the full covering Yemeni women use in public after puberty. Even though she had now traveled across the Atlantic and back and been grilled by scores of inquisitive grown-ups, she was as sweet and direct as if my questions were brand-new to her. At lunch she snuggled in beside me as we sat on prayer mats and showed me how to dip my flat bread into the shared pot of stew. She said she was living at home again and attending school (her father, publicly excoriated, had grudgingly taken her back), and in her notebooks she was composing an open letter to Yemeni parents: "Don't let your children get married. You'll spoil their educations, and you'll spoil their childhoods if you let them get married so young."
Social change theory has a fancy label for individuals like Nujood Ali: "positive deviants," the single actors within a community who through some personal combination of circumstance and moxie are able to defy tradition and instead try something new, perhaps radically so. Amid the international campaigns against child marriage, positive deviants now include the occasional mother, father, grandmother, teacher, village health worker, and so on—but some of the toughest are the rebel girls themselves, each of their stories setting off new rebellions in its wake. In Yemen I met 12-year-old Reem, who obtained her divorce a few months after Nujood's; in doing so she won over a hostile judge who had insisted, memorably, that so young a bride is not yet mature enough to make a decision about divorce. In India I met the 13-year-old Sunil, who at 11 swore to her parents that she would refuse the groom who was about to arrive; if they tried force, she declared, she would denounce them to police and break her father's head. "She came to us for help," an admiring neighbor told me. "She said, 'I'm going to smash his head with a stone.'"
The push to reach many more underage girls and their families, through education programs and scattered government or agency-supported efforts, is targeted way beyond just the prepubescent marriages that most easily rouse public indignation. "The public loves those kinds of stories, where there's a clear right and wrong," says Saranga Jain, an adolescent-health specialist. "But the majority of girls getting married underage are 13 to 17. We want to recharacterize the problem as not just about very young girls."
From the ICRW's point of view, any marriage of a teen under 18 is a child marriage, and although definitive tallies are impossible, researchers estimate that every year 10 to 12 million girls in the developing world marry that young. Efforts to reduce this number are mindful of the varied forces pushing a teenager to marry and begin childbearing, thus killing her chances at more education and decent wages. Coercion doesn't always come in the form of domineering parents. Sometimes girls bail out on their childhoods because it's expected of them or because their communities have nothing else to offer. What seems to work best, when marriage-delaying programs do take hold, is local incentive rather than castigation: direct inducements to keep girls in school, along with schools they can realistically attend. India trains village health workers called sathins, who monitor the well-being of area families; their duties include reminding villagers that child marriage is not only a crime but also a profound harm to their daughters. It was a Rajasthan sathin, backed by the sathin's own enlightened in-laws, who persuaded the 11-year-old Sunil's parents to give up the marriage plan and let her go back to school.
Because the impossible flaw in the grab-the-girl-and-run fantasy is: Then what? "If we separate a girl and isolate her from her community, what will her life be like?" asks Molly Melching, the founder of a Senegal-based organization called Tostan, which has won international respect for its promotion of community-led programs that motivate people to abandon child marriage and female genital cutting. Tostan workers encourage communities to make public declarations of the standards for their children, so that no one girl is singled out as different if not married young.
"You don't want to encourage girls to run away," Melching says. "The way you change social norms is not by fighting them or humiliating people and saying they're backward. We've seen that an entire community can choose very quickly to change. It's inspiring."
The one person who explained most eloquently to me the excruciating balance required to grow up both independent and respectful within a culture of early marriage was a 17-year-old Rajasthan girl named Shobha Choudhary. Shobha was in her school uniform, a dark pleated skirt with a tucked-in white blouse, the first time I met her. She had severe eyebrows, an erect bearing, and shiny black hair combed into a ponytail. She was in her final year of high school and a scholarly standout; in her village she had been spotted years earlier by the Veerni Project, which disperses workers throughout northern India in search of bright girls whose parents might let them leave home for a free education at its girls' boarding school in the city of Jodhpur.
Shobha is married and has been since she was eight. Picture the occasion: a group ceremony, a dozen village girls, great excitement in a place of great poverty. "Beautiful new clothes," Shobha told me, with a mirthless smile. "I didn't know the meaning of marriage. I was very happy."
Yes, she said, she had seen her young husband since the wedding. But only briefly. He is a few years older. So far she had managed to postpone the gauna, the transition to married life in his household. She looked away when I asked her impression of him and said, he is not educated. We regarded each other, and she shook her head; there was no possibility, none, that she would disgrace her parents by delaying the gauna forever: "I have to be with him. I'll make him study and understand things. But I will not leave him."
She wanted to go to college, she said. Her intense wish was to qualify for the Indian police force so she could specialize in enforcement of the child marriage prohibition law. She had been keeping a diary throughout high school. One of the entries read, in carefully lettered Hindi: "In front of my eyes, I'll never ever allow child marriages to happen. I'll save each and every girl."
Every time I visited Shobha's village, her parents served chai, or spiced tea, in their best cups, and the Shobha stories thickened in their layers of pride and dissembling and uneasiness as to what the foreign visitor was up to. It wasn't a wedding! It was only an engagement party! All right, it was a wedding, but that was before the Veerni people made their kind offer and Shobha's capability had astounded them all. It was Shobha who had figured out how to obtain electricity for the house, so that she and her younger siblings could study after dark. "I can sign things," Shobha's mother told me. "She taught me how to write my name." And now, her parents indicated, this fine episode was surely concluding—and it was time. The husband was calling Shobha's cell phone, demanding a date. Her grandmother wanted the gauna before old age overcame her. The classes in Jodhpur were both Shobha's passion and her delaying tactic, but Veerni support runs only through high school; to stay on and cover the cost of college, Shobha needed a donor. The email arrived after I'd returned to the United States: "How are you I miss you Mam. Mam I am pursuing B.A. 1st year I also want to do English spoken course and computer course. Please reply mam fastly it is urgent for admission date in college."
My husband and I made the donation. "Let's see what happens," Shobha had said to me, the last time I saw her in India. "Whatever will be, I have to adjust. Because women have to sacrifice." We were in the cooking room of her family's home that afternoon, and my voice rose more than I intended: Why must women be the ones to sacrifice, I asked, and the look Shobha gave me suggested that only one of us, at that moment, understood the world in which she lives. "Because our country is man-oriented," she said.
She has completed more than a year now of post–high school study: computer training, preparation for the police exams. I receive emails from her occasionally—her English is halting but improving—and recently my Jodhpur Hindi interpreter borrowed a video camera and sat down with her, on my behalf, in a city café. Shobha said she was studying for the next exam. She had lodgings in a safe girls' hostel in the city. Her husband still called frequently. No gauna had yet taken place. She looked straight into the camera at one point, and in English, an enormous smile on her face, she said, "Nothing is impossible, Cynthia Mam. Everything is possible."
Two days after I received the video, a dispatch arrived from Yemen. Newspapers were reporting that a bride from a village had been dropped off at a Sanaa hospital four days after her wedding. Sexual intercourse appeared to have ruptured the girl's internal organs, hospital officials said. She had bled to death. She was 13 years old.

Thursday, February 5, 2015

I would rather be considered smart, than pretty


INDY AUTHOR TALK WITH NICOLE QUINN 

jen-may-nicole-quinn
Indy Author Talk Indy Author Talk
I would rather be considered smart, than pretty.  I was never one of the popular girls in school, blonde, athletic, with bright toothy smiles.  I wasn’t a cootie kid either. I was odd, brown skinned, a fly in the cream of social acceptability in my California girls’ finishing school.  But I had a secret, I knew that I was just like Peter Pan, a girl who didn’t want to grow up to be a man. I’d only ever seen Mary Martin play Peter. It was my special secret, knowing that, made me magical, even though it might not have been obvious to others.
I was finished before I’d even begun. But it was not that kind of finish, not an end, not the completion of things.  Maybe the finish was a veneer?  Stripped off?  Or layered on? I still don’t know if I have it.
What I’ve learned about being an insider who never belongs is, that it really doesn’t matter.  Fitting in is often too much personal compromise for the payoff.  Just the right size, shape, and color, is for those who require symmetry.  Creativity, now that’s scary, that’s flying without a net!
When I was small there were no books about me, no stories with me in them.  The heros were all male and the damsels were all fair, golden haired and white skinned, the twins were all Bobbseys.  Where then did I fit in, if not where I was?
The happy endings we were taught, at school, in church, on tv, all ended in trousseaus and hope chests, diamonds and Lalique.  We aspired to be rescued by princes, on white steeds, whose reward was always taken in kisses, and in ownership.  That ownership conferring on us some sense of prize.  Now it seems too stunting a dream to hold onto, much like dogma, which often evaporates with the onset of knowledge, the way dew vanishes with the rising sun
Now that my nest is empty, I look on the world with worry and with wonder.  How easy it is to guise the truth behind layers of rules.  How can we throw girls away and not know it?  How can we still be trading girls like cattle?  How can a girl with a book be so terrifying to men with guns?
The Gold Stone Girl’s journey, Mina’s journey, is my journey, her risks are mine, and like Mina I’ve learned that fear is a useless tool.
Indy Author Talk Author Bio
Nicole Quinn, a WGAE member, has written scripts for HBO, Showtime, and network television. Her feature film, RACING DAYLIGHT, (starring Academy Award winner Melissa Leo and Emmy winner David Strathairn), is streaming everywhere. Her plays are published by Playscripts, Inc. In 2011 she won the Harper Audio contest to read on Neil Gaiman’s 10th anniversary full cast audiobook American Gods. She has several audiobooks to her credit.
INdy Author Talk QA
Q.  Where are you from?  Does the area you live in influence you writing?
I live in a converted barn in upstate NY.  I’m surrounded by meadows and trees, and a stony bottomed creek that meanders through the woods.  The pond is frozen now, with deer trails dimpled across it, in the snow.
Yes, what I see outside my window in the day to day is woven into the fabric of my stories.  A pair of young deer courting, frolic through tall grass, dotted with the pink blush of wildflowers.  Hawks soar overhead, and foxes sip from the stream.
Q. Tell us your latest news??
Disbelief, book two of The Gold Stone Girl trilogy is out on Kindle, 2/1, and in paperback and audiobook the week after.
Soon I’ll begin the polish of book three, the final leg of this epic journey, begun 8 years ago.  Then the job of scripting the mini-series will begin.  I have Bubba and Dee-Dee cast,(Adam LeFevre and Melissa Leo), and that feels like a pretty great start. I imagine it will be many years to come, before I leave Mina and the Night Mare behind.
Q. When and why did you begin writing? What inspired you to write your first book?
I began writing in earnest when my daughter, now 28 (gulp), was two.  I’d been an actor, of color, on the road since I left college, playing ingenues in Shakespeare and the Greeks, and auditioning for hookers and token lawyers for tv and film.  Suddenly I was hip deep in diapers and leaking breast milk.  I needed a creative outlet I could carry with me.  I’d said a lot of bad lines, and some very good ones, and I also knew that women, and specifically women of color, on the screens, were two dimensional, stereotypic of females who had nothing to do with my reality.  I figured I could do better.  So I wrote my first screenplay, then I wrote another, and another, you get the idea.  I’ve been a WGA writer since 1993.
I write in whatever medium the story comes.  I write plays, screenplays, and prose.  For me it’s always about telling the story.
This trilogy was sparked at the Women’s International Film Festival, in Miami, Florida, 2008.  The winning International documentary was about baby girls being thrown into the rivers in India.  It had never occurred to me that gender was a basis for worth.  It never occurred to me that for many, women are not considered equally human to males, but are viewed as property, to be disposed of at the whim of the owner.  Then I began to notice our own advertising, which teaches us to hate everything about ourselves.  Then at the government legislations, which encourage feminizing all things to be discounted, the environment, pacifism, women.  It’s unsettling to suddenly realize you’re part of a gender that’s  been systemically trivialized.  I need to share that information.
Q. What book(s) / author(s) have influenced your life and writing?
Too many, so many!  Shakespeare, Marlowe, Jane Austen, JK Rowling, AS Byatt, JRR Tolkien, JM Barrie, JM Coetzee, obviously, people with initials, and I have a preference for the letter J.
Q. Tell us about your characters and how they came to be?  Have they been in your head for a long time?
I was looking for a someone to take this hero’s journey with me.  I didn’t want to go all on my own.  I wanted her to be female, and not white.  Mina is who arrived, she fleshes herself out daily.  I can’t explain it, and sometimes I feel awkward for stating it, but it’s true, my characters create themselves.  I’m just here as a conduit to push the keys, the pen.  I often sit down at my desk with a plan all mapped out in my head.  Hours later, I’m miles away from where I thought I’d be, and the journey has taken me where I needed to go.
When I started this epic, I thought I was writing a script.  I sat down to outline it, and hundreds of hand written pages later, I had the makings of this trilogy.   I try not to censor what comes.  I just get it down, and fix it up later, the down draft is the most important draft for me, all the others are fixer uppers.
Q. What motivates you to write?
It’s powerful to be able to say whatever you want, without it ever having to be wrong.  My world, my rules.  It’s powerful.   I don’t have to ask for permission to do it.  If I’m not brave enough to confront something in my own life, often my characters are able to.  There’s catharsis in that.
Q. What is the hardest part of writing?
Finding uninterrupted time to escape away into it.  Life gets in the way, but without the life, I have nothing to write about.
Q. Did you learn anything from writing your book and what was it?
I learned that our world, and we its mega fauna, are not thoughtful, as a whole, and that it’s time for us to change that.
Q. Where do you get your ideas?
From everywhere!
Q. What does your family think of your writing?
I think they like knowing what’s knocking around inside my head, when my eyes get all glassy and they know that I’m a million years away.  My husband, and both of my children, son and daughter, are feminists, believers in fundamental human rights.  So I think what I write speaks to them.
Q. What is the best advice you would give to inspiring authors?
Don’t censor your thoughts, let you imaginations go wild.  Don’t write for the marketplace, tell good stories, with characters who grow and change and forgive and…  Stories that have meaning often endure longer than the ones that are just about shoe leather, (running/the chase scenes).
Q. What book are you reading now?
Rupetta, by Nike Sulway
Indy Author Talk Author links
Website – http://itsanightmare.blogspot.com/
Facebook Fanpage – https://www.facebook.com/pages/The-GOLD-STONE-GIRL/1437782523133544

Sunday, February 1, 2015

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Today-2/5/15, to celebrate the release of book 2

Mina is a rogue dreamer born into the Night Mare's world, a place where human females are 3/5 human, traded like cattle and licensed as domestic pets.  Mina learns that in order to survive the Night Mare's Blinkin, she has to change it.

It's a cautionary tale, and it's a good one.

book 2 continues the journey into the land of Disbelief, a dimension the Night Mare created to house all beliefs other than her own.


Friday, January 30, 2015

Chapter Three



The World at War
The SUL woman doesn’t see the road she travels.  She avoids the ridges and mineral towers, the fissures and sinkholes, on this road under the earth, by instinct.  She doesn’t notice that the rock walls are riddled with phosphorous, nor that opaque lizards skitter across a karst landscape.  She can hear a stream sinking beneath the rocks on her right, and the trickle of wet that fans the opposite wall, coating it with a mossy sheen.  She will never see these things as the human cave enthusiasts do, with their headlamps bouncing bright beams across all that makes no sense in such light. What she sees is home.
It’s a hard climb from the caves of SUL City to the surface, though about half as long as it once was, before the world started shrinking.  Twelve hours of shinnying up through crevices named after trolls, Niffilheimr, Utgaror, and Jarnvior.  Then she crawls up an over the Rim of Two Crags. Next she winches across two canyons, Ismenios, and Kholkikos, named after the dragons who once dwelt there.  All this before she reaches the shore of the interior ocean, where she makes camp, before starting up the road she’s on now.
Sulis doesn’t notice her surroundings, not only because she has no eyes, but because her thoughts are focused on her immediate future.  The skin of her forehead is furrowed above the hollows where eyes might be.  A snarl of frizzy reddish hair is pulled off her face and dreaded down her back, with bits of equipment woven right into it -- tools, food, explosives.  Sulis has a prominent nose, as all SUL do, a square jaw, and full lips.  Her translucent skin pulses an underlay of green veins.  She wears a madras shirt tucked into khaki trousers, her boots are laced to mid-calf.  
Sulis has been sent by the elders of her clan.  The women who put the horns on the clan chiefs, the great mothers who can also knock those horns off.  Sulis is on a one way journey to Winkin City.  She comes to the surface as a martyr, but first she comes as an assassin.  She has been selected to take a life.  She had foreseen it, but the reality is still a jolt.  It is a cancer that eats at her, this killing she must do.  Even now she wells with anger, her fists clinched, hot blood flushing her cheeks, at thoughts of this her fate.  
Why am I always the one singled out to be different?  For Sulis has found that being gifted is not always a gift.  
Sulis is a feeler, sworn to heal whenever there is need.  She doesn’t know why her touch takes away pain, heals sores, and open wounds.  Even she wonders why she can seal cracks in bones, and cleanse impurities in blood, it just happens, and it always has.  But Sulis hates to touch, or to be touched, at all.  Which makes the oath of skin, a palm held firmly to her forehead, an act she finds decidedly objectionable.  Yet it is what she must do, what she has sworn to do, to heal when there is need.  Now she must forswear this oath, and use her gift to bind the man whose life she will end. 
Sulis was a child when she first saw this war that has come upon them.  A war declared by the Night Mare’s government-church against the species of the planet’s Core.  Eminent domain was first used against the Batemba, and then the Efwiddle, and now at last the SUL are being forced to an offensive.  
Eminent Domain, the legal way that greedy, lying, bastards commoditize the mother planet, or so the SUL have always been taught.   And as always, Sulis thinks with spite, the people have no say.  The governments of the surface have always done the bidding of tyrants, no matter what they’ve been called -- president, dictator, CEO.
At the very beginning of the Night Mare’s reign the people of the Core, the Efwiddle, the Batemba, and the SUL, were forced into treaties, and compelled to hand over ancient territories.  Later they were corralled onto reservations.  Recent legislation requires the Core dwellers to abandon their languages, in favor of the common tongue of the surface, and to cede their governments to the Night Mare’s own.    
“I do all this in the sacred name of the Night Mare’s government-church.”  President Bob adds as an afterthought to every public service announcement, with a slight and irreverent bob of his head.  
At the beginning of his lifelong term, President Bob seemed ridiculous to the people of the Core.  Wobbling under his six foot wide, self-wheeling hat, his uniform weighted in back, to counterbalance the mounds of pibbles, bibbles, and even tribbles, that adorn his breastplate.  
When the Species Relocation Teams began to arrive underground, they came with a directive, one that’s proved fatal for Core dwellers.  The people of the Core now take President Bob very seriously.  
First he made it legal to hunt the Batemba as food.  The Batemba are a slug-like race of elephant sized mineral eaters, who have lived in the Core lands far longer than there have been two legs up on the surface.  The Batemba are cousins to the antique dragons.  Yet, overnight they have been transformed from ancient and learned culture, to that of comestible delicacy.  
The screen broadcasts do not mention that Batemba meat is in high demand by the aggressive monster lobby, or that Batemba steaks command even higher prices as export off-planet.  Nor do they reveal that President Bob is the majority shareholder of the Night Mare’s only Batemba meat processing plant.  Several monster ranchers recently made substantial donations to Bob’s war chest.  They’ve also applied for licenses, to keep and breed the Batemba in herds.  
The Batemba are incensed.
President Bob’s industry recently infringed on the Efwiddle Territory.  The Efwiddle, a primordial species, composed of viscous vapors, have never been recognized as alive by any surface government, because meetings between the species are too dangerous to organize.  The Effwiddle are composed of a human skin sloughing smoke.  They boast a civilization, and a history, as old, and as detailed, as the Batemba.   
President Bob, believing that the Efwiddle are merely a myth, ordered his monster troops to trample the rocks, which, he had been advised were incubating eggs in a licensed breeding field, for use as fuel.  His troops wiped out several generations of smoke people yet to come, in sacred nurseries deeded to the Efwiddle in treaties much older than the Night Mare.  
In retaliation, for this genocide, the Efwiddle, independent of their Core allies, have already declared war on Winkin City.  Legions of the smoke-people have invaded several blocks of the city’s heating ducts.  Leaving behind thousands of flayed monsters and humans alike, howling in their homes, and along the walkways, skinless and begging to die.  

President Bob has removed all government restrictions, on everything.  Now that the planet is obviously shrinking, with no known way to stop it, Bob plans to end the game with more than anyone else.  All land is now valued at a premium, and he’s acquiring as much for himself, for the government, as he can.   
“By order of the great and scary Night Mare all neighborhoods, and their buildings, are now repatriated.”  Bob announced in chambers to the other Deciders, most of whom are directly affected by this obvious land grab.  
The other scarred, white uniformed, men, for the first time ever, are all allied together.  All of them are now plotting just how to be rid of toady President Bob, without enraging the Night Mare, for whom Bob now acts as sole intermediary. 
The SUL watched in silence as Bob whittled away at the rights of their allies and neighbors.  Then Bob signed an order authorizing the hunt and capture of SUL females, as restock for the Public Herd.  A herd that’s been ravaged by the monster population of Winkin City, a powerful lobby who’s recognized its clout.  
Now Sulis is sent to terminate President Bob, an order agreed to by the all the treaty nations underground, who hold him personally responsible for the shrinking of the planet. 

Sulis was named after an ancient Goddess of water.  It was a name brought from the surface, to the Core, by the expedition of humans, the fathers and mothers of the SUL, who pioneered and peopled the inward land, before the Great Collapse.  The people of the SUL nation are the result of over a million years of interbreeding, amongst a thousand founding families.  Several human ethnicities mingled into one, in the dark underground. 
The SUL recognize that they are directly descended from humans, but they are not complimented by the association.  The SUL consider themselves a separate and unique species, with a culture all their own.  Others on the planet would agree.  
The SUL were discovered after the Great Collapse.  When the platelets resettled, and huge fissures were opened to the core.  Water cave divers and spelunkers followed.  The finding of SUL City is deemed a discovery in the lexicon of surface history. To the SUL it is considered a reintroduction, for they have always known where they were in relation to the surface.  
SUL City is a mountain range of cave dwellings, sprawled above a long plateau, inside a larger cave, which is itself seven miles long and three miles wide.  S.U.L., or subterranean upper life-form, is a government-church acronym, given by the Night Mare to this species of mole people.  They call themselves, as all the treaty nations of the Core lands do, simply the people.

SUL habitats are food poor by surface standards.  Most nutrients are gleaned from organic debris.  Seeds and nuts are foraged from the caches of animals.  Organic matter, flowing through on water, is caught in filters and traps, set along the rock rivulets.  Salamanders, beetles, insect eggs, and spiders, are all eaten as delicacies.    
The SUL food staple is a flavorless energy cake, made of cave molds liberally mixed with guano, to create a paste, which is compressed into small discs, and then dehydrated between hot rocks.  The combustible air underground, a mix of organic gases, precludes the lighting of fires, so surface style cooked food is only enjoyed on caravans to the molten lakes, or to the Manus Market.  
The SUL culture is mystic, and inward.  Intersecting fault lines create pathways allowing ground water, and other oxygenated vapors, to rise through the domed caves as air.  Methane, ethane, and ethylene, with the odor of ethylene, colorless and sweet, like a fruity perfume, permeating everything.  The scent of sweet peaches emanates from the SUL themselves, so concentrated is the gas now to their makeup. According to SUL history, it was ethylene which enlightened the oracles at Delphi.
Humans exposed to this air in confined spaces, experience euphoria, out of body sensation, and amnesia.  Death has occurred in some Blinkins after prolonged exposure to the air of SUL City.  
The SUL navigate without eyes.  Like bats and deep water cave fish, they use a refined sonar, not unlike the echolocation of whales, but without the sound.  Psychic energy bounces off solid objects, which returns to the SUL mind’s eye as vivid schematics.   Much as dogs reference the size of other animals in the scent of their pee.
Inside the inferior colliculus of the SUL brain, that place in humans where vision is bundled with sound, random images appear to the SUL, in flashes, like film footage.  The content of these random images, is a melange of time, with no fixed date apparent.  This SUL seeing is ignored as unreliable.  Yet, among some of the women, as SUL females are still known, are those who see with purpose, the beyond that they see.  Sulis is one of these.  Feelers always are.

Sulis despises this human she is to kill, President Bob.  She sickens at the seeing of him in her mind’s eye -- his chubby short-fingered hand, held flat against her forehead.  For this is how Bob will take the oath of skin from her.  The oath is never given, she thinks.
With controlled and accurate sight, Sulis has seen that her immediate fate will be capture.
She sees a pair of monstrous soldiers lumbering toward her along the Core Road.  A hammerhead and a drillbeast have just killed two of their own compatriots, and eaten them as lunch.  The evidence of the violent feast is all over their many claws.  Chips of metal filings are caught between their several teeth, bloody oil slicks all eight faces, and their score of hands.   
Bob’s all monster army is grown of genetic waste -- hybrids made of useless scrap metal, processed with an indiscriminate amount of eukaryotic matter.  Walking blobs of metal headcheese, incubated to be slimy, strong, hungry, petroleum and blood based -- but not to think, never to think.   
This pair is searching for a hole in which to nap, after their unplanned lunch, when they see the eyeless woman walking towards them, her fisted arms outstretched in the sign of surrender.  They try to ignore her, to pass her by.  They don’t even look down at her.
Sulis will have to persuade these soldiers to arrest her.  Monsters with full bellies are not motivated civil servants.
“Credits?” She pops her tight fists open to the monsters.  She opens and closes them again, many times, quickly.
The monsters startle, they look to her fists in fright.
Sulis knows, as all SUL know, that small sudden movements make monsters uncomfortable.  An uncomfortable monster is a scared monster.  Aggression they understand, and they are at ease countering with same, but when it comes to small things, details and such, monsters confuse easily.  
She said there were credits, one monster thinks to the other, scratching his bum, the seat of his brain.  The action makes a slick sucking sound.  They stare into her small empty hands in confusion.  Where are the credits, they wonder?  What are the credits, they wonder?  They’ve heard the word mentioned in association with food often enough for it to have made an impact.  Then Sulis waggles her fingers, and the monsters huddle closer, fearful of the small unsettling movements.
“You – can – ex - change - me – for - credits.” She says it slowly so that they might understand more quickly.  
“Swap credits - for food.”  She uses hand gestures, and speaks in the condescending tone she’s heard human males use when speaking to their breeders.  
Sulis flashes her hands, open and closed, several times more in quick succession, to show the monsters that she carries no weapon, and to keep them uncomfortable.  
The slimy soldiers glom even closer together, the jelly and metal of their makeup slurping and clanking in fear.  They wish she would just rush at them, or run away.  They’d know just how to react if she did either of those things.  They would snatch her up, throw her down, and stomp on her, which would make it unnecessary to think about what might be tied into her hair, (a blade, three varieties of poison, and several finger sized explosives).  But these monsters are Bob’s perfect soldiers, they do not think at all.

Sulis leans back against the rock wall, her arms folded, waiting while the two monsters fight over which of their screens they will use for her transport.  Then she waits a bit longer while the hammerhead muddles his memory, scratching at his bum, trying to remember how his screen works.  While the drillbeast gouges at his side, drawing a bright purple ooze, and many short cries of pain.  He’s trying to get his screen out of the pocket of his ill-fitting monster brown uniform.  
All three of them jump in surprise when a small point of light shoots out in all directions, and a portal to the Public Herd opens to them.  Each monster is certain that it has accomplished the feat, so they fight over that.
At last both monsters shove Sulis into the open portal, where naked females, of a variety of species, writhe on all the screens, which are the walls, the floors and the counters as well.  
The monsters are now fighting over which of them will enter the opening first.  Both squeeze into the portal at the same time.   It blips to a point of light, and it’s gone, leaving sliver chunks of monster buttocks behind.

Sunday, January 25, 2015

Adam LeFevre's review of It's a Nightmare

"Well, I'm all in for Bubba. A true dystopian mensch such as I, in our current dystopia, can only aspire to. 

What a lively and fully-imagined read, your book!
Kudos!"


Melissa Leo's review of It's a Nightmare



what a journey I have gone on!....swallowing in great greedy gulps like one of your demon types all your long hard work!....wow!....fun fascinating and informative!......really well done ...like things that have big play in the world ...and yet deeper and better....and what happens beyond plunging into disbelief?.???......I know you are headed there now!....so very proud to know you!....thank you..and I indeed adore deedee....what a chance to teach the lessons she teaches...I will hope for the day! (Melissa Leo, Academy Award winner The Fighter